A Father's Day Bonus: Janet Spots Ink on the Subway

A Father's Day Bonus: Janet Spots Ink on the Subway

Last month, my friend Janet (whose ink was featured on Tattoosday here) sent me the following photo:

 Janet reports:

"I took this pic in the 1 train, 23rd Street downtown subway station. The guy was *lovely* and looked like a big construction worker. His name is James, and so is his son's, pictured."

I figured this would be a nice father's day bonus.

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Two for Tattoosday: Vanessa's Ink (Two Hearts Beat as One)

Two for Tattoosday: Vanessa's Ink (Two Hearts Beat as One)

I met Vanessa last week and she generously shared two of her wonderful tattoos.

This piece on her inner right forearm was her first tattoo:



This design is based on the album cover of Poison the Well's You Come Before You.


Vanessa explained that this was the album she listened to when she was visiting her mother in the hospital. Her mom recovered, and she associates the record with this time of her life. The tattoo celebrates those moments.

The second piece she shared was inspired by her father:


Unlike with her mom, Vanessa does not have a relationship with her dad. The optimistic banner "may we meet again" is a glance forward, toward the possibility of someday reconnecting with him.

This large tattoo, on her right biceps, took eight hours, all in one sitting. The detail of the anatomically-correct heart is amazing. Vanessa pointed out how the artist added flowers to the design, as well as the rays of light in the upper right corner to create the shape of a figurative heart, as well.

Both pieces were created by Anthony Mealie at Tattoo Lou's in Selden, New York.

Work from that shop has appeared previously here.

Thanks again to Vanessa for sharing her wonderful tattoos with us here on Tattoosday!

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No Hope But Home

No Hope But Home

I met Matthew walking through Penn Station last week. He has several tattoos, and shared this one with me:


On his right arm, this traditional nautical star has been embellished with several design elements that personalize the tattoo.

The banner "No Hope but Home" refers to lyrics from a song by a New Jersey band called Scream Hello.

The nautical star is accompanied by a knitting needle and a fountain pen. These two objects refer to his parents. The knitting needle speaks to his mother who is a homemaker and also knits as a hobby. The fountain pen alludes to his father, who is a writer professionally, and also
writes for pleasure.

The nautical star, traditionally worn by sailors to serve as a talisman to find a way home, serves a figurative purpose here, pointing toward, while also emphasizing the hopefulness of home, but also the importance of Matthew's parents in his life.

This cool tattoo was inked by John Reardon at Saved Tattoo, in Brooklyn. Work from Saved has appeared previously on Tattoosday here.

Thanks to Matthew for sharing this amazing tattoo with us here on Tattoosday!

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Who's Better Than Us: Chris Honors His Father

Who's Better Than Us: Chris Honors His Father

I met Chris in Brooklyn Heights one afternoon and asked him about his ink. He has seven tattoos in all, but offered up this section of his arm:


What seems at first like an odd juxtaposition of figures makes more sense when it is explained.

The piece is a memorial based on a photograph of his father, who had worked as an editor on the original film of Woodstock, as well as the book documenting the process who worked with the team that made Woodstock (Paradigm), developing and experimenting with new film technology which was eventually used in the process of making the movie.

After searching for a while, I emailed Chris and asked if he could send me the photo. He generously obliged:


Seeing the source material on which this piece is based makes it cooler. The photograph appears in the book, and was taken up at Woodstock when the documentary was in production years laterby one of the cinematographers of the Woodstock film, Chuck Levey somewhere in New Jersey.

And the back of the arm features a quote from Chris's dad, a statement he would often make, which seems genuinely appropriate from someone so deeply immersed in the culture of the 1960s:


Chris had his tattoos inked by Nick Caruso at Fly-Rite Studio in Brooklyn. Work from Fly-Rite has appeared previously on Tattoosday here.

Thanks to Chris for sharing his work here on Tattoosday!

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Ashley's Two Little Birds

Ashley's Two Little Birds

Last July, I met two tattooed women, Becky and Ashley, outside of Borders (Becky's post is here, Ashley's is here) on Penn Plaza.

A few months later, in one of my more embarrassing moments as an ink-spotter, I approached Becky again, outside of Macy*s, and asked her about her tattoos. She reminded me that she was already featured on Tattoosday, and I reddened, apologized, and moved on. In my defense, the tattoo I featured was on her foot, and it was covered in the subsequent encounter.

Flash forward to the last Friday in April, and I spotted both Ashley and Becky again, outside of Macy*s. I wasn't sure, but something seemed familiar, so I approached cautiously. Becky had dyed her black, so my failure to identify the two of them immediately was again explainable.

But unlike the previous encounter with Becky, this time I wasn't embarrassed and Ashley volunteered her two newest tattoos.

Ashley, a make-up artist, about two months ago, had two small "Mom" and "Dad" tribute tattoos inked behind her ears. Mom is on the left:


And Dad is on the right:


The birds remind her of something that her mother would tell her when she was a little girl. She would tell Ashley that if she wasn't good, the birds would get her. That, combined with the small forget-me-nots, make these small, pretty, tattoos nice tributes to her parents.

The work was done by Mohawk John at Three Kings Tattoo in Brooklyn. Work from Three Kings has appeared previously on Tattoosday here.

Thanks to Ashley for re-visiting us here on Tattoosday and sharing her newest tattoos!

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